Skip to main content

2019 Sting Live in Manila

The Cherrytree Music Company, Live Nation, and Ovation Productions have confirmed that Sting: My Songs will be presented at the Smart Araneta Coliseum on October 2. Tickets go on sale starting Wednesday, July 3rd at www.buytickets.asia and www.ticketnet.com.ph.




Currently on tour throughout Europe, Sting’s My Songs concert is a rollicking, dynamic show featuring his most beloved songs, written throughout the 18-time Grammy Award winner’s prolific career both with The Police and as a solo artist. Hailed a “masterful performance from start to finish,” fans can expect to hear Englishman In New York, Fields of Gold, Shape of My Heart, Every Breath You Take, Roxanne, Message In A Bottle and many more, with Sting accompanied by an electric, rock ensemble.


Members of Sting’s Fan Club will have the opportunity to access exclusive pre-sale tickets July 1st through July 2nd
prior to the general public by visiting www.sting.com.




#StingManila2019  #OVATION40  

 
ABOUT STING:
Composer, singer-songwriter, actor, author, and activist Sting was born in Newcastle, England before moving to London in 1977 to form The Police with Stewart Copeland and Andy Summers. The band released five studio albums, earned six Grammy Awards and two Brits, and was inducted into The Rock and Roll Hall of Fame in 2003.
 

As one of the world’s most distinctive solo artists, Sting has received an additional 12 Grammy awards, two Brits, a Golden Globe, an Emmy, four Oscar nominations (including 2017’s nomination for The Empty Chair from Jim: The James Foley Story), a TONY nomination, Billboard Magazine’s Century Award, and MusiCares 2004 Person of the Year.  Also a member of the Songwriters Hall of Fame, he has received the Kennedy Center Honors, The American Music Award of Merit, and The Polar Music Prize. Sting has been awarded Honorary Doctorates of Music by the University of Northumbria (1992), Berklee College of Music (1994), University of Newcastle upon Tyne (2006) and Brown University at its 250th Commencement ceremony (2018).



Throughout his illustrious career, Sting has sold close to 100 million albums from his combined work with The Police and as a solo artist.

Following his critically acclaimed album, 57th & 9th, his first rock/pop collection in over a decade, Sting and reggae star, Shaggy released a collaborative, island-influenced album, entitled 44/876, that draws from the many surprising connections at the heart of their music. With its title referencing their home country codes, 44/876 first and foremost honors the duo’s mutual love for Jamaica: Shaggy’s homeland, and the place where Sting penned such classics as The Police’s Every Breath You Take. Their chart-topping release debuted at #1 in Germany and Top 10 in the UK. It spent over 20 weeks atop Billboard’s Reggae Album chart in the US, earned Gold certifications in Poland and France and received the GRAMMY Award for Best Reggae Album.



On May 24, a new album entitled Sting: My Songs, featuring contemporary interpretations of his most celebrated hits, was released and followed by a European summer tour of the same name. Sting’s My Songs Tour consists of a rollicking, dynamic show featuring his most beloved songs spanning the 18-time Grammy Award winner’s prolific career with The Police and as a solo artist.

Next year, Sting will headline a Las Vegas residency, “My Songs,” set to open at The Colosseum at Caesars Palace Friday, May 22, 2020. The show will present a compendium of Sting’s songs with dynamic, visual references to some of his most iconic videos and inspirations.

He has appeared in more than 15 films, executive produced the critically acclaimed A Guide to Recognizing Your Saints, and in 1989 starred in The Threepenny Opera on Broadway.  His most recent theatre project was the TONY-nominated musical The Last Ship, inspired by his memories of the shipbuilding community of Wallsend in the North East of England where he was born and raised. The show, with music and lyrics by Sting, ran on Broadway in 2014/2015 and completed a critically acclaimed UK regional theatre tour which ran from March-July 2018. Most recently, Sting starred as shipyard foreman Jackie White in the Toronto-based production of The Last Ship at the Princess of Wales Theatre. He will reprise the role for productions in Los Angeles at the Ahmanson Theatre (January 14 – February 16, 2020) and in San Francisco at the SHN Golden Gate Theatre (February 20 – March 22, 2020).

Sting’s support for human rights organizations such as the Rainforest Fund, Amnesty International, and Live Aid mirrors his art in its universal outreach.  Along with wife Trudie Styler, Sting founded the Rainforest Fund in 1989 to protect both the world’s rainforests and the indigenous people living there.  Together they have held 18 benefit concerts to raise funds and awareness for our planet’s endangered resources. Since its inception, the Rainforest Fund has expanded to a network of interconnected organizations working in more than 20 countries over three continents.

Other Sting hits include Desert Rose, If You Love Somebody, Can’t Stand Losing You, Fragile, If I Ever Lose My Faith In You, Wrap Around Your Finger, Synchronicity, Spirits in The Material World, Demolition Man, King Of Pain, Driven To Tears, De Do Do Do, De Do Da Da, Every Little Thing She Does Is Magic, Russians, Fortress Around Your Finger, Someone To Watch Over Me, and more!

Sting: My Songs Live In Manila is presented by Cherrytree Management, Live Nation, and Ovation Productions.
Tickets available starting July 3 via www.buytickets.asia and www.ticketnet.com.ph. For inquiries, call (02)911-5555 or (02)532-8883. #StingManila2019 #OVATION40 Years Promoting the Biggest Names in Live Entertainment.
 

About Live Nation Entertainment:
Live Nation Entertainment (NYSE: LYV) is the world’s leading live entertainment company comprised of global market leaders: Ticketmaster, Live Nation Concerts, and Live Nation Sponsorship. For additional information, visit www.livenationentertainment.com

About Ovation Productions:
Ovation Productions is a pioneer concert promotions company in the Philippines operating since 1979. It directly buys, promotes, and handles all production of it’s concerts ‘in-house’. The company has expanded the concert market for international artists by breaking into and developing provincial cities in the Philippines aside from Metro Manila, a truly trailblazing feat. This year is Ovation’s 40th year of promoting some of the world’s biggest names in live entertainment. For more information, visit www.ovationproductionsmanila.com

ABOUT THE CHERRYTREE MUSIC COMPANY:
Founded in 2005 by Grammy-nominated songwriter/producer Martin Kierszenbaum, the Cherrytree Music Company provides management, record label and publishing services to a boutique roster of artists, producers and mixers who push the creative envelope in popular music.  Cherrytree has had an indelible impact on the music landscape from managing celebrated musician and cultural icon Sting to launching Lady Gaga’s first two albums. The Cherrytree Music Company has released the artistically and commercially ground-breaking records of Feist, Ellie Goulding, Robyn, La Roux, LMFAO, Far East Movement and Disclosure and sold over 35 million units. In the process, the Cherrytree Music Company has become a vital source for popular music and catalyst for artist collaboration and innovation.  For more information on the Cherrytree Music Company, please visit https://soundcloud.com/cherrytree-radio/cherrytree-records-10th-anniversary-special

Comments

Popular posts from this blog

Transforming Lives: The Impact of SM Group's KSK Program on Filipino Farmers

  Farming futures Jayson and Juanito proudly showcase a selection of produce at the SM City Clark’s Weekend Market. While modern agricultural techniques boost yields for some, there remains a number of Filipino farmers who struggle to keep pace. These experienced hands find themselves falling behind in a market demanding higher production, clinging to familiar yet often inefficient methods passed down through generations. One farmer from Pampanga, Jayson Garcia, sought to disrupt this prevailing narrative in his family. He knew that he had to chart a new course forward for his farm and innovate to remain competitive within the rapidly evolving landscape of modern agriculture. “Noon, mahirap ang magtanim,” he recalled their life before joining SM Foundation’s Kabalikat sa Kabuhayan. “Para bang tsambahan, basta pag itinanim mo ‘yan, hintayin mo na lang mamunga. Mas mahirap pa lalo kapag nagkaroon ng kalamidad,” he added.  SM Foundation’s training program focused on high-value crop cultiv

A 15-Minute Tropical City in Pasay

  All within 15 minutes: Urban planning concept city to rise in Pasay For the modern urban dweller, 15 minutes is a lot of time.  A lot of productive things can be done – a high-intensity, interval training (HITT) workout or run a 1.5-kilometer route, clearing your emails, meditating, catching up on the news, or preparing a quick smoothie – all within 15 minutes.  But for the Metro Manila commuter, 15 minutes is barely enough to get from point A to point B. During rush hour, it is most likely that within this time, you still haven’t moved an inch.   Ever heard of the 15-minute city? It’s a modern urban planning concept that puts people and the planet first. The term was coined by Paris-based urbanist and Sorbonne University professor Carlos Moreno wherein he said that the ideal neighborhood or city is built in such a way where work, food, housing, education and cultural activities can be easily accessed within 15 minutes, whether by foot or by using a bike.  An artist’s render of a 15-

Venue Infrastructure Challenges Concert Experience in the Philippines

Countries with better, bigger, and more competitive concert venues have reaped economic benefits, especially with the massive and significant influence of popular international acts like pop superstar Taylor Swift’s Eras Tour and Coldplay’s World Tour in consumer behavior and spending.  Driving tens of thousands of ‘Swifties’ and concert enthusiasts, the success of these concerts was an economic stimulus for countries worldwide, including Southeast Asian countries such as Singapore and Japan.  Filipino fans alike had to spend big and travel miles to watch the exclusive performance of superstar Swift in Singapore’s National Stadium while others went to Japan’s Tokyo Dome and Sydney’s Accor Stadium in Australia. The massive concert gigs boosted the respective country’s economies, benefitting entertainment, hospitality, retail, and transport industries significantly. While Singapore’s strategy for a Southeast Asia exclusive Swift performance piqued interest and likewise piqued its neighbo